Prizefighter: The Life of Jem Belcher

Prizefighter: The Life of Jem Belcher

The birth of boxing.
2022History, Drama1h 46m6.2
At the turn of the 19th century, Pugilism was the sport of kings and a gifted young boxer fought his way to becoming…
Directed by Daniel Graham 30 Jun 2022 · Asar 16, 2079 BS United Kingdom

Storyline

At the turn of the 19th century, Pugilism was the sport of kings and a gifted young boxer fought his way to becoming champion of England.

Facts

  • Release date30 June 2022Asar 16, 2079 BS
  • Runtime1h 46m
  • GenresHistory, Drama
  • DirectorDaniel Graham
  • WritersMatt Hookings
  • MusicPaul Saunderson
  • LanguageEnglish
  • Budget$8 million
  • ProductionCamelot Films, Hardman Pictures, Lipsync Productions, Malta Film Commision, BondIt
  • CountriesUnited Kingdom, United States of America, Malta

Keywords

boxing

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UK Trailer

Cast

Cast 15

Videos 3

Backdrops 12

Posters 9

Where to watch

India

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Reviews 1

  • CinemaSerf16 Aug 2022 5/10

    Matt Hookings isn't very convincing here in this rather sketchy biopic of British boxer Jeb Belcher. On the plus side, it conveys really well the gritty side of life in Victorian Britain where the genteel, ostensibly refined, upper class routinely used the travails of the working class as a source of entertainment. This young lad finds himself trained in the school of hard knocks by Russell Crowe's "Slack" whilst being fairly shamelessly manipulated by the clever "Lord Rushworth" (an overly hammy Marton Csokas). The narrative tries quite hard to offer us a plausible series of scenarios as the young man rises from obscurity, but the production is not good. It has a "digital" look to it; there is little authentic about the style and though there is a modest amount of pugilism contained, the presence of the one-gear Ray Winstone ("Warr") adds little to this remarkably sterile period drama. The usually reliable Steven Berkoff is completely under-used, and Julian Glover's "Lord Ashford" is straight out of "For Your Eyes Only" (1981). It's a fitting topic for a biopic. The brutality not just of their chosen, bare knuckle, way out of abject poverty but also of the way in which these men were carefully exploited by others rich and poor as if they were little better than cattle is something worth laying bare. Sadly, though, Daniel Graham has focused too much on delivering a big name supporting cast and left much of the writing and character development to simmer rather than boil. This is an adequate television movie, but a real missed opportunity to depict the story of a tenacious and wily fella.

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