The Living End

The Living End

An irresponsible movie by Gregg Araki.
1992Crime, Drama, Romance1h 25m6.7NR
Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree.
Directed by Gregg Araki 21 Aug 1992 · Bhadra 5, 2049 BS United States of America

Storyline

Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree.

Facts

  • Release date21 August 1992Bhadra 5, 2049 BS
  • Runtime1h 25m
  • GenresCrime, Drama, Romance
  • DirectorGregg Araki
  • WritersGregg Araki
  • MusicCole Coonce
  • LanguageEnglish
  • Budget$20,000
  • Box office$692,585
  • ProductionDesperate Pictures, Strand Releasing
  • CountryUnited States of America

Keywords

californiarobberyaidsnihilismroad triphivcrime spreesex workerfilm criticgay themeindependent filmboys' love (bl)gay directorgay sexqueer romance

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Trailer

Trailer

Cast 22

Videos 1

Backdrops 36

Posters 24

Where to watch

India

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Reviews 1

  • CinemaSerf11 Nov 2023 7/10

    Anyone else remember those robotic fish that you'd prod and they wagged their tails? We had one that also sang Bobby Darin's "Mack the Knife"! Here, one features occasionally, but quite amusingly, in this quite provocative drama that follows a road trip taken by "Luke" (Mike Dytri) and "Jon" (Crag Gilmore). The former guy is a gay hooker who's got by on the streets using his looks and his wits whilst contracting HIV along the way. The latter man is a journalist who has managed to arrive at the same fate - though not as a result of the same s(t)eamy existence. With nothing much left to lose, the unlikely pairing embark on a fairly hedonistic journey that pitches their two completely different personalities into a series of scenarios that ultimately, well you can guess what ends up happening. It doesn't pull it's punches this. It is gritty and sleazy and honest and illustrates well just how human beings react when faced with certainty - even if it's timeline isn't so set in stone. It's a love story, an hate story - and juggles loads of attitudinal and judgemental horrors as the two men meet homophobia and violence as they begin to rely more and more on each other (whilst simultaneously winding each other up fairly spectacularly). There's a bit of sex - nothing very graphic, and loads of ripe language - but nothing here appears gratuitous. It's a plausible road trip that Greg Araki has constructed to make us think, squirm, smile and well, endure too. It won't be for everyone, but it does remind us of how, just 20-odd years ago, AIDS was still killing people and there is a definite and engaging chemistry between the two actors charged with delivering this story of a messy and frequently anachronistic existence.

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